Monday, April 26, 2010

AYCE and K-Murdock Present: 12 Questions For “12-Step”

If you have visited us before, you know K-Murdock is a friend of AYCE. The BrainSlice was able to catch up with him recently and get some info about the new, highly anticipated Panacea album (out May 4th). Peep this:

1. How do you stay motivated? You're up early mixing while I'm drinking coffee, trying to get going.

I basically push myself to out-do what I’ve already done. Anything is possible. I’m one of those people who do actually believe in all the clich├ęs. There is infinite K-MURDOCK_thumb[2] potential and possibilities. I’ve had a lot of people in my life come and go, and a lot of talented people in my family have passed away, but while they were here they made very significant marks. That inspires me. I can’t procrastinate. Life is too short. That old adage carries a lot of weight, and I subscribe to it. Every day I get up and take my shower, which is my mental and physical catharsis. As I’m washing yesterdays funk off me, I think to myself: “ok, I’m gonna think positive and live this day to the fullest, and to the best of my abilities.” I love music and radio and everything that it has afforded me. When you do something that you love, it never really feels like work. I actually look forward to getting up in the morning and mixing a track or working on a beat.

2. It is very apparent to me that you are a perfectionist. Anything you would change now that “12-Step” is on wax?

A few people have mentioned to me times where maybe the music was clashing too much with Raw Poetic’s voice, but it actually was meant to be that way. I still want toPanacea[4] make sure that people are able to hear what he’s saying, because his lyrics are poignant in the scope of the song, and pertinent in helping the listener understand the theme. I really paid attention to that more on “12 Step”, but there are times when you will need to listen close. I’m proud of the album. I put my heart and soul into the mixing and mastering of it, and I think it came out well. “Revolution World Crazy” and “Immortal” sound just as clean as anything on the radio from a production standpoint. I take a lot of pride in my engineering. It’s not a skill a lot of producers have, and it makes a big difference in the end. So yes, I’m very happy with all of it, and I am very much a perfectionist.

3. Speaking of wax....tell us a little more about Kickstarter and how you got involved with it.

I heard about Kickstarter through Bandcamp, which is another service indie bands need to be up on. Shout out to the homie JNOTA, who is Damu the Fudgemunk’s manager (Damu is the DJ for Panacea. He does all the cuts on the albums), for getting us involved with Bandcamp. It’s a great way for independent artists to put their music out there. I love the layout, and they encourage the people who post music to help them improve their interface to be more user-friendly. It started when I saw a blog post from Bandcamp founder, Ethan Diamond, where he mentioned Kickstarter. When we were getting ready to put this album out I was talking to my homie Jeremy, *shout out to JC*. He is the Panacea “new media specialist”. He’s been very instrumental in helping me set up Neosonic Productions as an official company. Jeremy and I sat down, crunched some numbers, and decided we needed a little under $4,000 to get the album on wax. Last time I checked, we’ve got around $5,500. It’s been a real blessing, and a critical tool in getting this album out.

4. What is your favorite track and why?

“Sync in City”, just because it sounds so different. I feel like it is a very progressive song, and I love the way it turned out. Raw Poetic just did his thing man! It’s a song that touches on something that we always talk about. I don’t want to give it away until the album has been out for a while. Maybe then we’ll start breaking down some of the hidden, coded language in there. The title has a dual meaning. One is “syncing-in” or locking in with the vibe of your city. The second has to do with Raw Poetic telling me that D.C. is an actual “sinking city”. Every year Washington, and the Jefferson Memorial in particular, sinks a little bit because it is built on top of swamp land.Jefferson_Memorial_at_dusk It’s very interesting. So the track has a dual meaning to it, like a lot of stuff that Raw Poetic comes up with. I was experimenting at the time I made it with some different samples. The stuff I pulled in to make that beat was from all over the place. It came out really positive, with kind of a trance/electro feel to it. It just feels good when the hook kicks in. Shout out to Alona for the dope hook, who I’m working on this Ebony Bed project with, but that’s an entirely different “All You Can Eat” interview. *chuckles*

5. Raw poetic is so smooth, and very true to his name. The “Stumble Home” lyrics in particular strike a chord with me. They are truly poetic and seem to have deep meaning. How does he feel about all these whack MC’s making money and getting fame off their garbage lyrics?

You’re right, he is very smooth in his delivery and true to his name. On the hook of “Stumble Home” he says: “wasted, walkin’ on the curb, side to side” It’s such an image that’s being painted. If you all knew the story behind Raw poetic writing that and how true it was to what was going on in his life, you would be really blown away. Raw has a great way of taking things that happen in real life and encapsulating them into these rhymes that can just take me back in time. A lot of it is very much based on what’s going on in real life, but presented in a very artistic way.

Raw P is not one of those dudes that, because he knows he’s got some skill and people respect him, hates other MC’s. I think he hates it when people take Hip Hop as a joke. It’s OK to have fun in Hip Hop. We used to have a group called the “UMC’s” and we were rapping about an alien monster called Blue Cheese. Even with that those dudes had skills. It was just fun and light-hearted. Now it seems a lot of people are getting into rap like it’s a hustle. Everyone’s trying to do it. As Hip Hop artists, we know what Hip Hop was all about when it started. I think a lot of people don’t respect the roots. Our first album was called “Thinking Back, Looking Forward”. It was about us standing at a crossroads looking back at what we had done, and trying to push forward while paying homage to the roots of Hip Hop. As futuristic, ethereal, and progressive as our music is, a lot of it is still rooted in Boom-Bap. Raw Poetic, myself, and anyone else that’s doing good Hip Hop, if they really know what’s going on, they know that the balance in the culture has been lost. This is also something we focus on with the Subsoniq show.

6. He retired “Raw P” officially on a recent Subsoniq show. Is he going to eliminate it from his rhymes too?

*chuckles* Sometimes it just happens that when you shorten things down, it can have another, sometimes humorous, meaning. Raw P sounds like a porn name. So on air it sounded like he was sick of us saying it. Guys being guys you know, making light of it. He uses it a few times on 12-step. My favorite line (which I use every time I answer his call) is: “Raw P, salty, like oceans”, it’s off “Blue Ocean Wave”. He can’t escape that name. There is definitely a side to Raw Poetic that can be “Raw P”. Not to insinuate he’s a porn-star or something, but it’s more about that raw, in-your-face, say some crazy shit personality that you may have witnessed listening to Subsoniq.

7. I love samples, and I know you do too, what is your favorite sample on
this album?

Hell yeah! The sample from “Immortal” is my favorite. Someone pointed it out already, and I’m not going to repeat it (BrainSlice grins, because he knows what it is and you don’t). I don’t think the group that we sampled would ever hear it, but if they did I hope they would find it impressive how I worked their “prog-rock” into a Hip Hop track. There’s a lot going on in there, like the breakdown where I sampled a gospel group, and that’s what I like to do. I like to take anything and everything and create a new sound out of it. Hence the name: Neosonic. I “ain’t fakin’ the funk” when I say that is my shit. Maybe a few years from now, someone will do the same and take my shit, which will then be older, and make something else out of it, and I would be honored because that’s how the cycle goes. The samples on Immortal were my favorite to “re-freak” so to speak. I had always wanted to touch something from this particular group. When I made the song, Raw Poetic said “yeah, this is the joint we needed for the album.” It was one of the last songs we made, and it’s ironic that it’s the 2nd to last track. Being “Immortal”, in context of the album, it’s a great way to set up the last track

8. On a lot of the tracks, the synth sound seems to be a little over-powering. Is this something that you are just experimenting with, or is it here to stay? How do you feel it will evolve as you continue to use it?

K-Murdock synthI started dabbling with them back on “The Scenic Route”. A lot of the synths on there were played by *shouts out to Aaron Gawls* who plays for Raw poetic’s other band RPM, he and Patrick Fritz were my go-to musicians for “The Scenic Route”. Aaron plays trumpet and all kinds of synthesizers. His set up now looks something like the front cover (actually the back) of Herbie Hancock’s album “Sunlight”. Hancock_Herbie_Sunlight_b_side.sized That’s how Aaron Gawls’ (we call him Enron, the scandalous one) set-up is. For “A Mind On A Ship Through Time”, I bought some analog synthesizers and messed around with them. That’s why you started hearing the sound creep in. This is the first Panacea album where there are 2 songs you hear no samples on. Aside from me sampling the drums, and chopping them down, “Natural Selection” and “Katana Blue”, which is a follow up to Scenic Route’s “Katana” (if you hear the record, you’ll notice the references and the subject matter and why that is). I actually challenged myself because I wanted to play more of my own synths. I didn’t necessarily mean to make it overpowering, and I say overpowering in the sense that there’s more synth than sample. Wait until you hear the progression on the next record because I’m gonna take it even further. I have samples on there, but I’m trying to bring my own music in and push myself to not always be so damn reliant upon them. I love samples and will sample to the death, but I like being able to know that I can create stuff from scratch too, and I just hope you guys dig it!

9. “Revolution World Crazy” is definitely one of my favorite tracks – Can you break down the process of creation for us a little bit? Tell us about Green (his verse was right on par with Raw Poetic’s), when was the decision made to add him, or was it produced with him in mind from the get-go?

I made the beat right after Obama got voted into office in ’08. It sounds like the calm before the storm, and then the drums and the fanfare hit. It’s like hell is breaking loose, but it’s not hell, it’s a celebration. We have a black Obama Spider-man man in office and he’s trying to make things right. It was a moment of pride, and my way of celebrating that. Raw Poetic commented that it didn’t sound like something I would normally make, but like everything else it came from the mood I was in. Originally when we talked about doing this song, the title came out just based on things feeling like a revolution in a way, and people were just going crazy over the change that had occurred.

We wanted to get Oddisee (from Diamond District, and a good friend of mine) on there. He thought the beat was bananas, but he’s a busy muthafucka, and we couldn’t wait for him. So in the meantime, we decided to get Green, who is part of this group called The Five One, based out of Northern Virginia here where we reside currently. The dudes have been fans of RPM and Panacea for a while. I talk to 2 of them all the time, Andre and Pierre, aka Green and Gold (check them out at deucedayworld.com). Each of them is named after a color. I call them by their government names because I can’t get over calling a grown man by the name of a color. I kind of look at them as little brothers, they’re younger dudes, mad talented and versatile. Pierre heard the beat and wanted to write a verse for it. So when we couldn’t get Oddisee, I asked Pierre to let me hear what he wrote. I told him to keep it in the context of the story within the track, and he kind of did. It was definitely revolutionary, worldly, and crazy. So I think it fit in, and I’m happy with it. I’m looking forward to working with those gentlemen more in the near future.

10. A lot of artists are, in my opinion, over-active on Twitter. You’re not spamming or bragging, just a nice little update once in a while. Is this a conscious decision?

I like to have a semblance of privacy in my life. I’m not about to get on there and be like, “yeah man I’m about to go make love to my girl”. I’ve seen some cats post some ridiculous shit that kind of crosses a line. It’s real personal, and people want to let their fans in on some things beyond their art. Sometimes it’s just annoying and over the top though. It’s just over-saturated because there are so many cats doing that. An artist wants to let you know he’s waking up and getting ready to go to the gym? OK. If I write something, it’s just going to be “I just saw this movie I recommend and tell you why, or I just played this crazy video game.” Twitter is the perfect medium for that, but I keep it real choice.

All of the people I follow are people that I’m genuinely interested in. A lot of artists, (I gotta call them out) follow people hoping those people will follow them back as a courtesy. Then you just get this constant stream of nonsense that you don’t care about. You miss out on the more pertinent posts from people you DO care about. I try to keep it minimal. So for the 300 people following me, God bless you, I hope that my twits or tweets or twats, whatever you wanna call them, have been informative and entertaining. I’m just not that dude that’s so busy tweeting about his life that he forgets to actually LIVE his life.

(He said “Twats”)

11. There is a lot of “negative” Hip Hop out there, not that it’s bad music, it just has a different vibe than yours. Do you tend to avoid that kind of stuff? Tell us where your positivity and energy comes from.

I really do try to think positive and move forward every day. I don’t like having negativity in my life. It can really slow my hustle down and knock me off kilter. I’ve had a lot of stuff happen in the past, in my personal life and in the music. Even if some shit is going on, I try to block it out. Not to abscond from it, but I want to concentrate on things that make me happy, which will subsequently and hopefully make other people happy. I don’t want to be pigeon-holed as an artist, and have people say I can’t make a certain type of track. No one thought I could make a song like “Revolution World Crazy”, no one thought I could make stuff with a darker tone like some of the tracks off “Piano-rama”, like “The Up-Rizing” featuring Real Reid and “Concrete Jungle” featuring The Regiment, both Detroit Mc’s. I challenge myself to be a versatile producer because I don’t want to get stuck in one spot.

That being said, as far as listening to Hip Hop, I definitely have my guilty pleasures that you would never hear me try to make. I’m a big fan of Mobb Deep, and I was a big M.O.P. fan. They are one of my favorites. I’m not trying to live vicariously through these dudes with all that gangsta shit, but those muthafuckas can rap, and their beats were crazy. Mobb Deep? Come on, man, who doesn’t have “The Infamous”? Everybody’s gotta have a little bit of everything in the mix. That’s just how Hip Hop is.

(The BrainSlice contemplates the possibilities of a Horror-Core album by “K-Murda” and “Raw Killah”)

12. Now that 12-step is done, are you and Raw Poetic going to Disneyland? What’s next?

Releasing the record and finishing things up is half the battle. The release and promo can be just as tedious and taxing as the production. The blogs who represent us are a big help. Right now I’m in promo mode, and Raw P is chillin’. We have talked about taking all his lyrics from the first five albums and compiling them into a book with the album artwork from the records as well. We are working on that for hopefully sometime in the fall. He’s already busy working on the next Panacea record as well as a bunch of other side projects: an album with Damu, one with Point Blank, and doing shows with his group RPM. So he’s busy, and I’m handling the business. Hopefully I can take a trip, maybe I’ll take my girl and my dog to Disneyworld since I’m an East coast guy, ya dig!?

-Shout out to you and the boys at AYCE, good luck transcribing my loquacious ass. I told you, you didn’t know what you were getting yourself into brotha. Peace.

Happy belated birthday to K-Murdock! BrainSlice out.

4536_85508663514_518978514_1831797_4936498_n

Thursday, April 22, 2010

Grynch (@Grynch206) - My Volvo Video

The homey Stephen Gray, of Gray Matter Productions, dropped the video for Grynch's My Volvo today. This song has grown on me...and the visuals just add to that. Nothing too spectacular, but like I said, the video makes the song a lot better. Word has it that Mr. Gray is hard at work on Catch's new favorites...SOTA. Peep the video below!

Wednesday, April 21, 2010

Dyme Def X T.I.T.S X "Wet Dreams" promo video and tee release!


The homies Dyme Def (@DymeDef) and T.I.T.S. are doing it again...this time with the release of their Wet Dreams tee and accompanying promo video. This is all leading up to the June 1st release of Dyme Def's "Sextape". Here's what the people at T.I.T.S. had to say:

T.I.T.S (Two In The Shirt) is excited to announce the second release from its latest collaboration with Seattle’s emerging hip-hop group DYME DEF. The “Wet Dreams promo video” is the second release from their highly anticipated project, “Sex Tape” due to drop June 1st, 2010.
“We wanted to show people the idea of taking a song and turning it into a shirt collaboration.  From the time we heard the song we knew this would a classic T.I.T.S. shirt” says owner Marek Grubel.  “It was great to be able to be on set for the video and see everything come together.  These guys are thirsty and are putting in the time that is needed to have a long successful career.” 
 From the start of the “Wet Dreams” collab T.I.T.S. and 800lb decided that they wanted everything done in house for this video.  “From using the T.I.T.S. warehouse to the actual staff we wanted to show that this was a collab on both ends,” says 800lb founder Josh Berman. “This was also a great way for us to say thanks to the fans by showing them inside the T.I.T.S. home and to the staff for all the hard work they have done in supporting our vision.”
There you have it...peep the video below featuring the T.I.T.S. crew/staff and warehouse! I would show up to work EARLY errday if the ladies I work with looked like this...


So there you have it...WOW!. To pick up your Wet Dreams tee hit up the good people at T.I.T.S. here and place your order. Don't forget "Sextape" drops June 1st. Peace.


Tuesday, April 20, 2010

Wednesday, April 14, 2010

Sonny Bonoho - Zig Zag Video feat Money B

If y'all know my guy, Sonny Bonoho (@SonnyBonoho), then you'll understand why this video is awesome. Easily one of the most likable dudes around, Bonoho is also probably one of the most eccentric...from furry hats and sunglasses to his all around "nicest dude in hip-hop" demeanor. Seriously, this guy is always on some positive juice. The video was shot on 8mm film, with a dope set design, and features Money B of Digital Underground. Peep him at his myspace or blog, check the video, and when I find out where to cop his newest album, "Phone Phreak"...I'll pass it along! Peace.

Monday, April 12, 2010

SubSoniq 3 – Tribute to Nujabes + DJ Bee’s 5th Element.

Nujabes_01

I hate to beat a dead horse, and I know it seems that lately all I post about is Subsoniq, but I gotta get this out there. If you’re like me, this may be the first time you have heard of the recently departed Producer: Nujabes. K-Murdock lists him as one of his biggest influences, and as a result, put his heart into a nice little tribute to him. It’s definitely worth a listen. Jump over to ProgHipHop.Com and download it. While you’re at it, make sure you grab Part 2. I must warn you, DJ Bee aka Beesus is gonna “sneak up and hit you over the head with a shovel” (DQ’s words).

Stay tuned for more from K-Murdock (Panacea album is about to drop) and the rest of the Subsoniq Crew.

Joe_FatHead

F*ck you Ryan Seacrest, I said it first. BrainSlice out.

Friday, April 9, 2010

Panacea - Revolution World Crazy featuring Green


The homey K.Murdock of, the recently fucked over pulled from Sirius/XM, Subsoniq Radio, and his partner Raw Poetic dropped a leak yesterday, Revolution World Crazy featuring Green, from their newest album "12 Step Program". Man, "Corkscrew Gaps" is still in rotation on the iPad iPod. Be on the lookout for this to drop May 5th. Oh and by the way, this was spotted over at the dopehaus. Thanks and good night.


Thursday, April 8, 2010

Charles Hamilton - Paperboy X SegaMusic X Choices


With the release of "Normalcy" and the release of "The Binge Vol. 3", Charles Hamilton is definitely back in business beating your eardrums senseless. Charles has vowed that "The Binge" will be his last mixtape (before the album I assume) which is dropping in May or June. That being said, Mr. Sonic himself will be dropping a song a week until the release of the single.  It started with Paperboy featurning B.o.B, next up was Sega Music (Last of the Mauritians), and now Choices (A Wave For Alex). People can say what they want about Mr. Hamilton, and most of them do, but I like the dude and the music he puts out. Yeah, the dude is MAD eccentric, but to each their own. I saved myself some time and zipped the 3 songs together in one dowload for y'all to enjoy. I'm gonna try and keep up, but the way this dude has put out music in the past...wish me luck!


Oh yeah, and if you have yet to pick up "The Binge Vol. 3" you can go here and pick it up for FREE!


Spaid - Hard Times


Another leak from Spaid's "Clarity EP" produced by Vitamin D. I'm tellin you, production doesn't get much better than Vita...and Spaid is makin moves too. Check the link below. "Clarity EP" out soon...




Dyme Def - B-Side Classics


Those 3BadBrothaaas are at it again. They decided to hit us with some "B-Side Classics" which is basically a compilation of some songs that you have heard over the years, 2005-Present. Some released, some unreleased, and some that were "performance only" joints. I assume this was done to appease those of us still waiting (and waiting, and waiting...) for "Sextape" to drop. Word on the street is that it will now drop June 2nd...I think. Also, be on the look out for the new video for Wet Dreams the second video off "Sextape. Link and track list after the cut.

Victor Shade - Soothsayer video

The man that we have all grown to know and love RA Scion (formerly of Common Market) has released a new album under his superhero moniker...Victor Shade. They had a blow out album release party here in Seattle a week or two ago and released this video a day or two later. The album titled, "Victor Shade" and produced entirely by MTK, will be released online only and available for download soon...where and when...you'll have to find out on your own.



To read more about how the duo came to be, there was a great interview here.

Rhymefest - Dangerous: 5-18 Mixtape


Since Catch decided to drop the video off to y'all...I'll go ahead and drop the tape off as well. Rhymefest "Dangerous: 5-18" is another prelude to "El Che" which will be dropping...yep, you guessed it May 18 (5-18 for those of you that may not understand).


Wednesday, April 7, 2010

Dunn did it again….

One…shot, that is.  The one-take wonder series of videos from Court Dunn (Restless Films) continues, this time taking on “Letter” from Rhymefest’s pre-El Che mixtape: Dangerous: 5:18While the irony of Fest and John Mayer working together is tough to ignore, the song and video are too hot to hate!  As usual, Dunn has found a way to capture the heart of the song  (as well as the fact that ‘Fest needs to get them sausage-link-fingers into a typing class), with the simplicity of one camera and a whole heap o’ ingenuity.  Peep:

Not gonna lie, drags a little over the last minute, but I’m a big fan of this series of videos – keep on keepin’ on!!

MeFatHead_v3

Monday, April 5, 2010

J.Pinder - Go Far


The first "leak" off Pinder's new "Code Red EP" droppin April 9th as a FREE digital download. Word on the street is that you can pop by Goods in Seattle from 7-10 and pick up a copy and a limited edition t-shirt.  Below is the link to the first release...Go Far...enjoy.



Loose Screwz - Satellites


The homey Loose Screwz of the duo Scripts and Screwz sent through his new mixtape..."Satellites". I knew going in, after following and listening to their previous mixtapes and albums, that the dude was into the experimental realm of hip-hop...but was surprised when listening. Although I do enjoy the experimental side of what he does, some of my favorite tracks are when he gets out of that realm. One of these tracks, STLiens, is Screwz remake of Outkasts classic ATLiens...the track is dope. So go here to support the homey and download the mixtape. It's free, so why wouldn't you?


Friday, April 2, 2010

Conspiracy Theory, and I’m not talkin’ about Mel Gibson…..son.

Yes, The BrainSlice is still alive, despite what Catch and Benny may suspect, I AM functioning despite whatever illegal/legal substances are coursing through my veins. I’m back bitches.

Conspiracy Radio

I’ve been meaning to introduce you all to a couple friends of mine for a while now. These dudes keep me company during my workday ever since I canceled my Sirius/XM subscription (If you are not aware of WHY I stopped giving my money to the suits over there, go HERE to find out, and watch the following video – dedicated to Sirius/XM, and pretty much anyone else that is wearing a suit).

Mista MontanaMista Montana and Menace have been doing their thing for aMenace while now, and I must say they are very good at it. Don’t hate on ‘em because they’re Redcoats…..that’s right, 2 blokes from across the pond are running shit right now.

CONSPIRACY WORLDWIDE RADIO is quite possibly the most relevant Hip Hop show out there (of course you know SubSoniq will always be my #1, but they are new to the podcast game). You will not believe their insane guest list. Click HERE and go check out the FRIDAY NIGHT LIVE SHOW. If you didn’t already know, FM Radio and Satellite Radio are garbage (hate to burst your bubble, but Lil’ Wayne and Gucci Mane can suck it).

Do yourself a favor and download ALL of their shows (they are on Itunes as Podcasts, or you can get them directly from the website). You better thank me for puttin’ you on this shit.

8722838 The BrainSlice abides.